These sculptures initially present themselves as abstract forms, yet on closer inspection reveal a sense of disconnection—elements moving in opposition to one another. Tendril-like structures, reminiscent of mycelium, reach out to grasp, connect, or hold on, reflecting the tensions that exist between experiences, beliefs, and their consequences. This fragility is supported by contrasting materials that evoke memory, substance, and grounding.
There is a suggestion of networks within the work: viral pathways, electrical impulses, systems transmitting and gathering information. The apparent chaos of the structures conceals a more ephemeral intention. Like nature itself, they seek a delicate balance that sustains life, while prompting questions about purpose and meaning.
The sculptures can be viewed as reflections on the diverse beliefs and values that shape individuals and societies. These differing perspectives intertwine, conflict, and connect, collectively forming the complex fabric of humanity.
At the heart of this body of work is an exploration of fragility. It began with a consideration of how moral values in contemporary society often appear increasingly fluid, shifting according to circumstance. This enquiry has expanded into a broader examination of the precarious balance upon which societies are built, and the tensions that exist between constantly evolving viewpoints that seem perpetually close to fracture.
The combination of materials becomes a means of expressing these contrasts and relationships. Silk, cotton, and twine create linear pathways that draw connections, trace histories, and search for points of contact. While conceptual in nature, these works are made with the same attention to craftsmanship that underpins my wider practice. Over time, I intend to develop these sculptures on a larger scale, allowing the ideas and material explorations to become increasingly ambitious and adventurous.
